The TPHA Cartoon collection offers viewers a vivid journey of how Paine’s public image has morphed over the last 250 years. Although there were some positive portrayals of Paine early on, his many enemies, both in Britain and America, eventually took aim at him with vitriolic, often violent imagery, seeking to defame him and attack […]
Poison Pens: Turning the Corner from Damnation to Praise Read Post »
The Lewes Railway posters were hung in late December 2025, badged as a Thomas Paine Historical Association project with my having recently joined its Board.
A Canadian who grew up outside Toronto, I first heard of Thomas Paine very briefly in high school when my Canadian history classes spent as little time as possible on the American Revolution. That was more about the Loyalist expulsion to Canada than the achievement of American independence.
I had heard Thomas Paine’s name, but Bob Dylan put me on the track of discovering Paine’s profound importance in history. Dylan has been the soundtrack of my life. When he sang about Paine in the song, “As I went out One Morning,”, his lyrics stayed with me.
O’Connor, although he inherited an estate and was a member of the Irish Parliament, was an advocate for women’s rights, supported emancipation of Catholics although a Protestant, and independence from England. When he joined the United Irishmen fighting the British occupation of Ireland, he was arrested.
The only reference to Thomas Paine made by Bob Dylan is the 1967 “As I Went Out One Morning”, on the John Wesley Harding album. I started reading Paine after I heard that song. However, every analysis I read about the song only confused me.
Diego Rivera was a famous Mexican artist in the first half of the 20th century. His most controversial project was the mural he created for the Rockefeller Center in New York City.
Diego Rivera’s Mural Panel of the American Revolution Read Post »
The new works being discovered by the Project has confirmed his role as a leading writer close to the Pitt/Shelburne faction long before coming to America. Volume I of the new Collection of his writings will be almost entirely filled with these recently discovered works.
A song by Joseph Mather, to the tune of God Save the Queen, “showing support for Tom Paine’s Rights of Man and reflecting the republican sentiment immediately understood by working people.” From the mid 1790s.
Tom Paine’s Bonesby C. Bichler(2009, revised 2018) This is you,Tom Paine this living Americawhere your bonesno longer rest I imagine youlaughingon whatever cosmic planeyou currently inhabitscissors and tapestuck in your back pocketas in some 200-year-oldcaricature. These are toolsfor taking the measureof the world – of the space between worlds A circleof an inch diameterhas the
“We have it in our power to begin the world over again,” wrote Thomas Paine in Common Sense, a pamphlet of less than fifty pages, published in January of 1776, months before the Declaration of Independence was drafted. In clear and robust prose, Paine urged his fellow Americans to do the unthinkable, the impossible – to
Beginning the World Over Again: Ian Ruskin’s Thomas Paine Returns to Public Television Read Post »
Although both lives have been well chronicled (albeit separately), I hope there may be merit in a short selective account of the most salient features of the common radical ground shared by the two great writers, and its inspiration, a comparison that has attracted scant attention.
